Theremin Sampler Watch
2004/2011
The original version of the watch, which also functioned as a timepiece, was first exhibited at Todd Baily’s Chicago Nerd Battle at Deadtech in 2004. The concept behind this piece was to bring the “Art of Noise” into common spaces and to integrate avant-garde practices into everyday life. The idea was to make sound art accessible and wearable—something you could take to class, on a date, or even while driving. The intention was to blur the boundaries between art and daily experience, making experimental sound a part of normal life.
Since then, the landscape of sound art and noise has evolved, expanding into popular media, art institutions, and even the hobbyist space. The resurgence of synthesizers has further propelled this shift, and today, the concept of integrating noise into daily life is less radical than it was in the early 2000s. Back then, however, the internet had not yet become the platform it is today, and noise culture had limited exposure. I felt it was my responsibility to promote this form of expression from the grassroots level, helping to introduce and normalize noise art to a broader audience.
PWM Tone Generator
2015
I created an instrument to assist in designing other instruments by helping identify fundamental resonant frequencies and optimal pulse-width modulation (PWM) settings for ferrous metal objects. This instrument uses an electromagnet at its output to induce vibrations in metal elements such as tines, prongs, strings, and membranes. Functioning as a square wave oscillator with PWM, it allows for precise control over the proportion of “on” and “off” time in each wave cycle.
An LCD provides essential feedback, allowing me to document findings that inform the design of driver coils, metal resonators, and similar components. Additionally, I constructed a variable power supply unit that connects to the oscillator’s power input. This setup provides adjustable voltage to the electromagnet, giving further control over its output to suit different applications and material types.
Floating Pickup
2014
The floating pickup is encased in a box that houses both the pickup itself and the electronics of a standard electric guitar. I use this device to experiment with alternate pickup positions and to create a stereo output from a standard electric guitar for recording purposes. Additionally, I have used it in live performances to capture low-frequency pulses emitted from the solenoid coils of my robotic percussion instruments. This versatile device serves as a flexible experimental tool with a wide range of applications, enhancing both recording techniques and live sound exploration.
The Muckrakor
2003
8-bit sampler, acrylic chassis with custom and circuit bent electronics from Yamaha VSS-30
Random Tone Generator
1998
Collection of light-modulated circuit bent sound generators housed in a plastic bowling ball. The gooseneck lamp is made from a weird tail light that I found at a truck stop.